Street art

  • Auteur: Katrin Klitzke
  • ISBN:
  • Date de sortie: 2009
  • Collection:
  • Total Download: 8655
  • Total Read: 4284

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Czech Slovak Republics

  • Auteur: Lisa Dunford
  • ISBN: 174104300X
  • Date de sortie: 2007
  • Collection: Lonely Planet
  • Total Download: 2051
  • Total Read: 8019

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Three expert authors, 1260 hours of on-the-ground research, 100 detailed maps. Tailored itineraries for everyone, from beer connoisseurs to castle freaks.

Ny fuldst ndig ordbog i det danske og det tydske sprog

  • Auteur: S. Henrik Helms
  • ISBN:
  • Date de sortie: 1858
  • Collection:
  • Total Download: 6508
  • Total Read: 6464

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Comic Meets Theatre

  • Auteur: Anja Nioduschewski
  • ISBN:
  • Date de sortie: 2006
  • Collection:
  • Total Download: 2853
  • Total Read: 8972

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European Film and Media Culture

  • Auteur: Lennard Højbjerg
  • ISBN: 9788763504270
  • Date de sortie: 2006
  • Collection: Museum Tusculanum Press
  • Total Download: 9868
  • Total Read: 3767

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Brings into focus central aspects of recent developments in European film and media culture. Through studies of both film and television the question of national identity, European integration and globalisation is analysed in a both Eastern and Western European context. This volume offers case studies of the more historical and institutional context of European film television, studies of European TV drama, childrens television, TV entertainment formats, and comparative studies of European art cinema and art television and American (Hollywood) films and TV-serials.

Street Art Public City

  • Auteur: Alison Young
  • ISBN: 1135143595
  • Date de sortie: 2013-11-20
  • Collection: Routledge
  • Total Download: 7180
  • Total Read: 3925

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What is street art? Who is the street artist? Why is street art a crime? Since the late 1990s, a distinctive cultural practice has emerged in many cities: street art, involving the placement of uncommissioned artworks in public places. Sometimes regarded as a variant of graffiti, sometimes called a new art movement, its practitioners engage in illicit activities while at the same time the resulting artworks can command high prices at auction and have become collectable aesthetic commodities. Such paradoxical responses show that street art challenges conventional understandings of culture, law, crime and art. Street Art, Public City: Law, Crime and the Urban Imagination engages with those paradoxes in order to understand how street art reveals new modes of citizenship in the contemporary city. It examines the histories of street art and the motivations of street artists, and the experiences both of making street art and looking at street art in public space. It considers the ways in which street art has become an integral part of the identity of cities such as London, New York, Berlin, and Melbourne, at the same time as street art has become increasingly criminalised. It investigates the implications of street art for conceptions of property and authority, and suggests that street art and the urban imagination can point us towards a different kind of city: the public city. Street Art, Public City will be of interest to readers concerned with art, culture, law, cities and urban space, and also to readers in the fields of legal studies, cultural criminology, urban geography, cultural studies and art more generally.
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